Greg Sandow’s music

[This page is under construction]

 

All scores are in PDF format

 

 Solo Pieces

Short Talks (piano; the pianist also plays a small drum; in progress, 2008 - )

These are short piano pieces, settings of prose poems by Anne Carson, whose searing intensity is burned into very few words. The pianist plays both the piano and a small drum. Eventually there should be eight or more of these; right now there are five. Jenny Lin will premiere the cycle when it’s finished. The music might seem calm (deceptively), but it bursts into violence, and sometimes falls silent, unable to speak. The drum is its underworld.

scores

all five Short Talks that I’ve written so far

texts

recordings:

live performance at Cutting Edge Concerts New Music Festival, Symphony Space, New York, April 6, 2009

Jenny Lin, piano and drum

Short Talk On Gertrude Stein About 9:30; Short Talk On Defloration; Short Talk on Ovid; Short Talk On Rain; Short Talk On Rectification

computer demos:

Short Talk On Gertrude Stein About 9:30

Short Talk On Defloration

Short  Talk On Ovid

Short Talk On Rain

Short Talk On Rectification

Organ Piece [no title yet, 2007]

score

computer demo

This is a rewrite of—or maybe variations on—the C major fugue in the second book of Bach’s Well-Tempered Clavier. It’s more than a little crazy, with (in places) double Bach’s counterpoint, and big gaudy cadences. Listen and see.

 Chamber music

Quartet for Anne  (string quartet, 2001)

score

performance by the Fine Arts Quartet (a radio broadcast, with commentary)

see a special web page for this piece. I wrote this quartet as a birthday present for my wife — and I brought musicians to our home to surprise her with it



Mahler Variations  (string quartet, 2004)

score



Sonatina for Clarinet and Piano (2005)

score

clarinet part

recordings:

live performance at Bowling Green State University, 2006

Kevin Schempf, E flat and B flat clarinets
Robert Satterlee, piano

live performance at Cutting Edge Concerts New Music Festival, Symphony Space, New York, April 6, 2009

Charles Neidich, E flat and B flat clarinets
Jenny Lin, piano.

computer demo


A te—variations on a Bellini aria for cello and piano  (2005)

score

cello part

(I tweaked the score and part on 11/24/08. If you have earlier versions, please replace them with these. The new versions have more explicit performance directions, especially about the balance between the two parts.)

computer demo

(Coming soon: a live performance recording)

 

Orchestra

 A Frankenstein Overture  (1998)

score

computer demo


Symphony  (2006)

score

live performance (Dakota Chamber Orchestra, April 22, 2007; Delta David Gier, conductor):

1    Adagio - Allegro

2    Ballad

3    Scherzo (Palindrome)

4    Finale

computer demo:

1    Adagio - Allegro

2    Ballad

3    Scherzo (Palindrome)

4    Finale

Note: since making this recording, I’ve made small revisions in the score. So there are tiny, maybe all but imperceptible differences in the last movement between what you’ll hear, and what’s written in the score. Mostly they’re about switches from bowed playing in the strings to pizzicato. I gave the players a little more time.

Vocal

Shakespeare Songs (2005)

score

live performance at Bowling Green State University, October 2006:

Ann Corrigan, soprano
I-chen Yeh, piano

  If to doe were as easie as to know what were good to doe

  I am a simple Maide

  But I do thinke it is their Husbands faults if Wiues do fall

  How all the other passions fleet to Ayre

  Giue me my Robe, put on my Crowne

computer demo  (all five songs)

 

Opera

Frankenstein (1981)

Opera in three acts, written in the full-blooded operatic style of the 19th century. Libretto by Thomas M. Disch. Full orchestra.

libretto

scores

Act 1 vocal score

Act 1 full score

recording of a workshop performance with piano:

Act 1

Act 2

Act 3

Victor Frankenstein: Allan Glassman; Elizabeth: Carolyn Mallory; Henry: John Absalom; The Creature: Robert Stephens; Victor’s Father/Philip: Joseph Warner; Charlotte: Cheryl Littell; Lars: Richard Nickell

chorus of the C. W. Post College Summer Opera Workshop

music director and pianist: Ralph Zitterbart
stage director: Richard Getke

There’s a special page about Frankenstein here. For information not on that page, including availability of the complete score, please contact me.

The Richest Girl in the World Finds Happiness (1975)

One-act comedy, in a pop/Broadway style, a setting of a play by Robert Patrick. Piano accompaniment.

scores

original version (two sopranos, two tenors)

quartet version (two sopranos, tenor, female quartet)

duet version (two sopranos, tenor, female duet)

 recording (live performance with the original cast)

Richest Girl: Stephanie Costirilos; Handsomest Movie Star: Michael Hume; Madalayna: Gail Johnston; A Singer: Charlie Liepart

music director and pianist: Greg Sandow
stage director: Michael Feingold


 [updated 5/6/09]